Tuesday, October 19, 2010

Stephen King films you missed...

The Halloween season is upon us once again, and you know what that means – it’s time once again to resume my annual tradition of posting a bunch of bunch of reviews of movies in the spirit of the season.

If we accept that Edgar Allen Poe and H.P. Lovecraft were primarily known for their short stories, then the most successful American horror novelist would have to be Stephen King.

Following the smash success of Brian DePalma’s adaptation of Carrie in 1976, nearly every available King property was being snapped up for the big screen treatment. By the early 80s they were flooding into theaters. 1983 alone saw the release of no less than 3 feature films and a few shorts based on King stories.

While Carrie and The Shining are justifiably considered classics, let’s take a look at a couple of the lesser known & discussed King films from that time.

One problem in discussing ‘horror’ films of this era is that we don’t really think of these things as horror movies anymore. Boris Karloff thought that the name ‘terror film’ was more appropriate for the genre since the goal isn’t always to horrify (today’s ‘horror’ movies heavy reliance on shock value aside) but to terrify. The horror genre changes from decade to decade, and while gore and startling scares may be the norm now, there are other types of horror films…

Take, for example, The Dead Zone.

This is an understated, low budget, haunting film that catches King, director David Cronenberg, and actor Christopher Walken all at the top of their games. Walken plays a teacher who develops precognition. But, far from being a blessing, he finds the power is a curse as his life slowly disintegrates. By today's standards, this low budget film would probably be relegated to Movie of the Week status, but that doesn't diminish its power. Definitely worth checking out if you are interested in something that is more thought provoking than the average horror movie.

At the other end of the spectrum from the thoughtful and introspective The Dead Zone is John Carpenter’s Christine.

This is a deliberate non-thinking movie. But, with a tagline like, ‘Body by Plymouth, soul by Satan!’ you pretty much know what you’re in for. It’s a popcorn film, pure and simple. We’ll have no complaints from the peanut gallery about the hows or whys – look, it’s an evil car that kills people, that’s all you need to know. Expect incredible cheese. Expect that everyone’s attempt to escape the killer car involves running down streets and alleys, never into buildings, through the woods, or even just up a flight of stairs, and you’ll not be disappointed. Toss in a fun, loveable rock and roll soundtrack, and the always-awesome Harry Dean Stanton in a minor role, and you have a movie custom made for six packs and drive-ins.

Saturday, October 2, 2010

Before you go see 'Let Me In'...

Let me just say I expect this will be like 'Quarantine' was to '[REC]' - like 'The Ring' was to 'Ringu', what 'The Grudge' was to 'Ju-On', etc. etc.



Which is basically to say that Hollywood doesn't get that what makes these movies great has a lot to do with the [i]culture[/i] they are set in.



Seriously, this remaking of foreign films because Americans are too lazy to read subtitles is even worse than the 'we must make everything 3D' trend.



SO... for those of you EVEN THINKING about seeing 'Let Me In' - you had better have already SEEN 'Let the Right One In', or you're going to be ruining a fantastic experience.



For those who missed it - my review of the original Låt den rätte komma:



A tender little coming of age story about first love ...and the vampire next door!



Since the beginning of film history, every decade has one or two really good vampire films that stand out. But the genre seemed to peak in the 1980s and has been on a steep downward slide ever since. The 90s produced only a few, and just when it looked like we were going to get all the way through the 2000s without any really standout candidates... along comes 'Let the Right One In'...



Oskar is an introverted school kid, bullied by his classmates, and misunderstood by adults. One night he meets Eli, his next door neighbor who is also a bit of a misfit. Slowly they begin to understand each other on a level that no one else ever has. Alternately through scenes both gentle and horrific, the film lets us know that putting trust in just anyone can be fatal, but when trust is earned... when you let the right one in... your life can change forever.



Despite all the media hoopla about last year's blockbuster 'Twilight', the creators of that film could learn a truckload about love, adolescent angst, and vampires from this film. 'Let the Right One In' eschews all the slick polish and prettiness of Hollywood films like 'Twilight' and 'Underworld' in favor of an honest real looking world full of human frailty. In some ways it does for the vampire story what 'Ginger Snaps' did for the werewolf tale.



'Let the Right One In' is a great reminder that it's what's on the inside that counts. Especially if what's inside contains the RDA of hemoglobin!



Highly recommended.